Thursday, February 26, 2009

The Lost Electric Six Organs Of Admittance Album

This is the unreleased Electric Six Organs record. It’s a short record because the tape ran out on one song. I think of myself as fairly unsentimental. I am much more of a “fuck the good old days” kind of guy but listening to this for the first time in years the other day took me back for a moment to May 22, 2002. Usually when I listen to a record I’ve made or even happen upon a bygone rehearsal tape I can’t for the life of me imagine what I was thinking, where I was or why it was done this way. Perhaps it is because this tape is so raw and off the cuff but when I listened to it again I could really see the room, remember where everyone was standing, the lighting, the kind of beer we were drinking, for once I could understand where, why and how we did it.

It was made during the Field Recordings From the Sun rehearsals. Ben Chasny decided that he wanted to do an electric project with some of the Six Organs songs. He wanted a mellow groove oriented backing band as a platform and a foil for wild guitar and the Six Organs narrative and asked Comets On Fire to be the band. We set out with the idea of doing a few short rehearsals and then record an album with my Otari 8-track. The album was recorded but never released and in fact these recordings are from a 4 track reel to reel in what I believe was the first rehearsal. In the end the 8 track stuff just never had the same energy we captured that first time so that is why you are hearing that instead of the 8 track recordings, these would have been the release. Unfortunately the tape ran out on the end of “Even if You Knew”. Fuck it. We did tour Electric Six Organs alongside Comets on Fire on the U.S. West Coast including Canada. But this was before Field Recordings came out and really very few people saw us. I think Chasny even designed a record cover for the LP release of this album but at some point it fell from his grace or just fell to the back of the burner and then off the stove completely, I'm not sure which.

I can hear so much of that excited reckless energy in what we were doing with our music at that time in these recordings. In Chasny’s soloing and the general vibe of Electric Six O songs there is this incredible blend of spiritualism and nihilism. I guess to me, that’s often been the complex, struggling and overwhelming element of Six Organs in any of its forms, but I feel like that battle is laid out in a very raw and explicit duel in these three songs. Chasny's soloing was different in these sessions, it had a different tonal character and a different sense of space. Perhaps that has something to do with the groove beneath it--that element of swing groove rhythm isn't common to the Six Organs sound. There are some beautiful ghosts of melodies haunting the feedback on this record that I've never heard him do in quite the same way on later albums. I believe that up to this point Six Organs was still pretty much acoustic on record and live. This was kind of the gateway into the electric Six Organs phase, or the incorporation of electric instruments into Six Organs. That phase has since been incorporated in sometimes more subtle ways and sometimes more extreme ways but the roots of many of those ideas are here as an experiment, a beginning point.

One of my favorite anecdotes of this period, and forgive me if I’ve told you this one before, was on the way to the studio during the Field Recordings sessions at Tim Green's and we were all so excited about recording in a real studio for the first time. We had all the major basic tracks in the can too---in fact originally we had so much material and length that Field Recordings was going to be a double album but we brought it down to just over half an hour in length---good move!) and Chasny was going to lay down solos and perform “The Unicorn” that day and he was seriously hung over and in a fairly black mood and told us if we had any balls we’d take the master tapes from this record when it was finished and pour gasoline all over them and then bury them in a tar pit and dig them up in ten years and release that! For some reason, perhaps because I was on the brink of finishing my first real album and it was such a precious accomplishment to me that the thought of that was so horrifying but somehow wonderful at the same time. That really stuck with me over the years. Chasny wrote me the other day and told me he actually finally did make a record and buried the tapes and was going to dig it up in some years and release it. Pretty killer.

Electric Six Organs.
Recorded in San Francisco, May 22, 2002

1.1000 Birds
2.Close To The Sky
3.Even If You Knew

Ben Chasny, Vocals & Lead Guitar
Noel Harmonson: Bells and Rhythm Guitar
Ethan Miller: Rhythm Guitar
Ben Flashman: Bass
Utrillo Kushner: Drums

Chasny in Europe Photo by Mathieu Betard.

Get Electric Six Organs Album here:


Wednesday, February 25, 2009


My good friend Arik Roper, (you may also know him as the graphic artist for both Howlin Rain albums, High On Fire, Earth, The Black Crowes, Sleep and many other album covers, posters, t-shirts, Arthur Mag illustrations, etc) is about to see the first major publication of his work in book form. In early April Abrams will release an extraordinary coffee table book on Magic Mushrooms illustrated by Roper. The publishing world is a whole other mother fucker and as a friend and a fan it gives me a great deal of pride to see Arik's accomplishment and hope that his beautiful water color work continues to reach an expanded audience. Visit Arik's website for pre-order.
Congratulations Arik! Fuck Yeah Brother!!! Next stop the California school curriculum!

Abrams Book description:

"For centuries hallucinogenic mushrooms have participated in a sublime relationship with humankind, thanks to their psychoactive chemicals that shift and modify the human mind. Arik Roper's exquisite painted portraits of magic mushrooms illustrate more than 90 of the known hallucinogenic species from around the world. He captures their powerful auras, adding to a tradition of Mushroom art that stretches back more than 400 years.
Popular culture critics Erik Davis and Daniel Pinchbeck provide background and testimony in elegant essays, and mushroom expert Gary Lincoff contributes notes. This beautifully designed and profusely illustrated mushroom bible will appeal to nature lovers, mushroom hunters, and enthusiasts of all things psychedelic."

Monday, February 16, 2009

Unrivaled International Psych, Savage Jams, Broken Rock & Battered Soul Comp by the Mighty Fitz!

As the premiere posting olive branch I present to you a shrine of psychedelic music. This incredible grail of savage jams, battered Soul and international Psych warriors was compiled by the legendary John Fitzgerald (aka Fitz) for me after I told him that I wanted him to make me a "riff" comp to inspire me to write heavy riffs for the next Howlin Rain record. Fitz has booked and driven and promoted Howlin Rain across much of the UK, Europe and Scandinavia in the last year and most of the time some glorious unearthed heavy psych gem was blasting from the stereo, out of tune guitars wailing, drums pounding, some foreign rock god or goddess shrieking bloody murder in some unrecognizable but hypnotic tongue as our van screamed down the M1 or Autobahn! Fitz is a true lover and collector of underground and the esoteric of international hard rock psychedelia, the more riffed out the more beautiful. Thank You Fitz!
Please enjoy and share.


1. Metamorphi. Four Levels of Existance
2. Lagoa das Lontras. O Terco
3. Ve. Erkin Koray
4. Human Being. Coloured Balls
5. Egy Lany Nem Ment Haza. Omega Redstar
6. Noc Je Moja. YU Grupa- Yu Grupa
7. Negros Son Tus Ojos. Las Grecas
8. Let Me Start. Telegraph Ave
9. Bullets. Zipper
10. Gdyby's Kochal Hej! Breakout
11. Sevenler Aglarmis. 3 Hur-El
12. Violence. Blue Phantom
13. Nao Fale Com Paredes. Modulo 1000
14. Toma El Tren Hacia El Sur. Alemendra
15. E Assim Falava Mefistofeles. O Bando
16. Cynthy-Ruth. Black Merda
17. Thinking Black. Ike Turner & His Kings of Rhythm
18. Midnight Train. Tommy James
19. Your Love Has Been So Good To Me. Ruth Copeland
20. Show Stopper. Iron Knowledge

Get comp here:

Thursday, February 12, 2009

The Birth of the Silver Currant Blog

Good Day,
Welcome to Silver Currant!
I now have a place to post music, books, photos from the road & recordings and gin and tonic ponderings of all sorts that relate to the Howlin Rain or anything otherwise. I have named the blog after my first and only record label; Silver Currant, that I began in Santa Cruz, Ca. in the late 90's. All my releases were usually limited to about 10 copies or so, cdrs and were all hand silk screened covers. I think we released about 2 or 3 Comets on Fire live shows in the Silver Currant cdr roster and so far one Howlin Rain live disk---all those beat out the edition of 10 mark and climbed well into the hundred range! Anyhow, thats where the name comes from. I may be a little slow getting started but I'm going to post some killer tunes and other delights soon. Enough bullshit---I will do my god's honest best to keep the bullshit rants to a minimum and tunes, art and strong cheap dope to a maximum here!
Ethan Miller